Following his father’s sudden death, a young man returns home for the funeral and closure as his father journeys to the afterworld. Nyame Mma explores how lack of space for queer men and male grieving makes their loss very isolating.

Part exorcism, part film, everything in our house did not seem to fit is an exploration of remembrance. This cinematic exorcism ritual is a poetic and experimental eulogy to the past, as it sheds light on the forgotten corners of childhood once lived.

Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, the film questions the boundary of care and control.

After receiving an undetectable HIV status, Dexter finally shows up in a birthday party and reconnects with his friends, following a long and sudden absence in their milestones and lives.

Fellow Berlin queer community members together mourn the loss of their dead friends due to substance abuse and mental health crisis (and the loss of urban safe spaces in general) by sharing a few personal materials, stories and honest criticism about the club/nightlife scene. Resembling glowing-in-the-dark fungi such as Panellus stipticus, they transform dead bodies and memories into a collective structure that sustains future living – radiating the light together as a network of support and care.