{"id":1395,"date":"2022-01-05T15:37:36","date_gmt":"2022-01-05T15:37:36","guid":{"rendered":"https:\/\/xposedfilmfestival.com\/2025\/?p=1395"},"modified":"2022-01-05T17:11:22","modified_gmt":"2022-01-05T17:11:22","slug":"xposed-east-russian-queer-cinema-kino-krokodil-january-12th-18th-2022","status":"publish","type":"post","link":"https:\/\/xposedfilmfestival.com\/2025\/xposed-east-russian-queer-cinema-kino-krokodil-january-12th-18th-2022\/","title":{"rendered":"XPOSED: Eastern European & Russian Queer Cinema @ Kino Krokodil, January 12th-18th, 2022"},"content":{"rendered":"

The XPOSED Queer Film Festival Berlin is pleased to announce their newest cinematic event! In collaboration with Kino Krokodil<\/a> (Berlin), the festival will show works from or about Eastern Europe and Russia, presenting a various range of queer perspectives from several territories. Five feature length and six short films dive into stories of love, self-exploration, migration, activism and history.<\/p>\n

The audience will get the chance to see features from our 2021 program, including Milica Tomovi\u0107\u2019s fantastic debut KELTI (2021), Reka Valerik\u2019s heavy and breathtaking SILENT VOICE (2020), or Tamar Shavgulidze\u2019s neo sci-fi COMETS (2019). We are also happy to show Rafal Morusiewicz\u2019s experimental film BODIES WITHOUT BODIES OUTER SPACE (2019), in which the artist explores the history of Polish cinema.<\/p>\n

The screenings will take place from January 12-18 2022 at Kino Krokodil<\/a> (Greifenhagener Str. 32, 10437 Berlin).<\/p>\n

\u00a0<\/strong><\/p>\n<\/div><\/div>

Butterflies
\n<\/b><\/h2>\n<\/div><\/div>
\"\"<\/div><\/div>

Wednesday, January 12th, 7pm at Kino Krokodil<\/a><\/p>\n

BUTTERFLIES<\/strong>, Dmitry Kubasov, Russia 2016, 79 min<\/p>\n

\n
\n

Aleksey is a young man in search of himself. He comes to the \u2018Reality\u2019 project casting, and its authors suggest him to film his everyday life himself, which Aleksey agrees to enthusiastically. He becomes the protagonist of his own movie. He is in search of a boyfriend, and life would also be much better if his mother could accept his sexuality. Aleksey comes to visit her and admits that he likes boys, saying \u2018Don\u2019t you anticipate any grandchildren from me\u2019. All this ends with a drunken scandal, Aleksey leaves the house with an intention never to come back and slams the door. The documentary portrait Butterflies follows Aleksey during summer break, where he hangs out at the Tarkovsky film festival, drinks with his friends, and enjoys a holiday romance with Grisha\u2026<\/p>\n

Dmitry Kubasov\u2019s light-hearted documentary brings back memories of the festival life we have so dearly missed during the lockdown, and which we hopefully will fully enjoy again: That strange mode of late nights, small talk, booze, and dance \u2013 going ever back and forth between intimacy and banality. With the camera being right up against people\u2019s bodies and faces during impassioned discussions or testimonials, and the uncertainty of Aleksey or Dmitry holding the camera, Butterflies takes an unusual observational approach.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>

Comets
\n<\/b><\/h2>\n<\/div><\/div>
\"\"<\/div><\/div>

Wednesday, January 12th, 8:45pm at Kino Krokodil<\/a><\/p>\n

COMETS, <\/b>Tamar Shavgulidze, Georgia 2019, 71 min<\/p>\n

After three decades, Irina and Nana meet in the garden of their past. Nana lives there with her family and two children. Irina returns to the small community to deal with the past and present, with complex feelings and memories surfacing. The delicate camera work creates a ghostlike scenery, the time shifts and reality shifts make this atmospheric movie bend in time and space. A neo sci-fi experience with beautiful conversations. Two comets try to connect and love.<\/p>\n<\/div><\/div>

Silent Voice
\n<\/b><\/h2>\n<\/div><\/div>
\"\"<\/div><\/div>

Sunday, January 16th, 6:30pm at Kino Krokodil<\/a><\/p>\n

SILENT VOICE<\/b>, Reka Valerik, France\/Belgium 2020, 51 min<\/p>\n

Khavaj, a young MMA (Mixed martial art) fighter, fled Chechnya when his brother discovered his homosexuality and threatened to kill him. In Brussels, facing the shock of exil, he is struck by mutism. The only link that he keeps with Chechnya are the vocal messages that his mother sends him. The film traces Khavaj\u2019s first months in Belgium. Forced to live in total anonymity to escape the Chechnyan diaspora, he will try to build a new life. In Reka Valerik\u2019s powerful directorial debut, we follow this struggle and appreciate the bravery of one person trying to rebuild their life from scratch all while relearning how to communicate.<\/p>\n<\/div><\/div>

Kelti (Celts)
\n<\/b><\/h2>\n<\/div><\/div>
<\/div><\/div>

Sunday, January 16th, 7:45pm at Kino Krokodil<\/a><\/p>\n

KELTI <\/strong>(Celts), Milica Tomovi\u0107, Serbia 2021, 106 min, OmdU<\/p>\n

In Belgrade 1993, Marijana throws a costume party for her daughter\u2019s 8th birthday, with family and fellow parents attending. Grabbing the rare opportunity when their children are kept entertained in the other room, the parents open a few bottles in the kitchen and enjoy their reunion. Marijana suddenly realizes that she longs for more than a bunch of drunken guests and an inattentive husband, so she sets out to discover the thrills the night has to offer. She sneaks out of the house strolling around the empty streets, seeking genuine experiences instead of mere substitutes. While she reaches an orgasm and smokes a cigarette with a stranger, the party slowly disperses, just like Yugoslavia, the country Marijana and her friends were all born in.<\/p>\n<\/div><\/div>

Bodies without Bodies in Outer Space (+ Skipping Stones)
\n<\/b><\/h2>\n<\/div><\/div>
\"\"<\/div><\/div>

Tuesday, January 18th, 7pm at Kino Krokodil<\/a><\/p>\n

PO GLADINI<\/b> \u2013 SKIPPING STONES, Bla\u017e Slana, Slovenia, 2017, 19 min<\/p>\n

After trying his luck in Berlin, Mitja returns to Slovenia where he is greeted by his boyfriend Bojan. The reunion turns out to be less than ideal as Mitja struggles to tell Bojan a secret that could cost him their relationship. But before he finds the right moment, things quickly get out of hand.<\/p>\n

\/\/<\/p>\n

CIA\u0141A BEZ CIA\u0141 W KOSMOSIE<\/b> \u2013 BODIES WITHOUT BODIES OUTER SPACE , <\/b>Rafal Morusiewicz, Austria and Poland, 2019, 38 min<\/p>\n

“Bodies without Bodies in Outer Space” is a mid-length experimental film, a part of Morusiewicz’s \u201cPhD-in-Practice\u201d artistic-research project at Academy of Fine Arts Vienna, titled \u201cRemixing Polish Film History: Self-Contaminations, Queer Interventions, and Affective Conjurings” (defended in 2020). It is both an academic text and an artistic creation that thinks of film in terms of a polyvocal audiovisual and textual glitchy poem. Heavily based on found-footage material, it is a mash-up of over 20 films, multiple audio samples, and snippets of film-based, fictional, and autobiographical stories, all of which revolve around the fragmented “history” of cinema films made in Polish People\u2019s Republic (1952-1989).<\/p>\n<\/div><\/div>

Short film program
\n<\/b><\/h2>\n<\/div><\/div>
\"\"<\/div><\/div>

Tuesday, January 18th, 7:45pm at Kino Krokodil<\/a><\/p>\n

SZ\u00c9P ALAK<\/b> \u2013 BEAUTIFUL FIGURE, Hajni Kis, Hungary, 2016, 17 min<\/p>\n

A high-school cleaning lady falls in love with one of the students in the school. Her love is impossible from the beginning, but she still decides to show her feelings.\u00a0The moment when they meet, she changes her mind and gets cold feet but life doesn\u2019t leave a way out. She has to face the difficult\u00a0of human boundaries.<\/p>\n

KOP\u0158IVA<\/b> \u2013 THE NETTLE, Piaoyu Xie, Czech Republic, 2017, 22 min<\/p>\n

Summer comes again, from the moment Ana puts the lipstick on Nikola\u2019s lip, nothing is ever the same. No one wants to confront or to be justified. All the unspoken desires and secrets are growing just like nettle.<\/p>\n

UPORNI DUH<\/b> \u2013 REBELLIOUS ESSENCE, Ana \u010cigon, Slovenia, 2017, 5 min<\/p>\n

A cat walks into the Office of the Ministry for Cat Affairs and requests for a passport. All goes pretty well until the female and male cat clerks demand to know the cat’s sex.<\/p>\n

RED ANTS BITE<\/b>, Elene Naveriani, Switzerland, 2019, 22 min<\/p>\n

In Georgia, two stranded Nigerians, Obinna and Afame, navigate the sleeping city of Tbilisi after a long night out. However, as day breaks the true colors of their ambiguous affection begin to show. In this way, they find solace despite their hostile environment.<\/p>\n

\u0412\u0418\u0414\u0418 JA \u0422\u0418 \u041d\u0415\u0410 <\/b>\u2013 WOULD YOU LOOK AT HER, Goran Stolevski, Macedonia, 2018, 18 min<\/p>\n

A hard-headed tomboy spots the unlikely solution to all her problems in an all-male religious ritual.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"The XPOSED Queer Film Festival Berlin is pleased to announce their newest cinematic event! In collaboration with Kino Krokodil (Berlin), the festival will show works from or about Eastern Europe and Russia, presenting a various range of queer perspectives from several territories. 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