In Brazil, where a trans person is murdered every three days, Marilene searches for her daughter Roberta, a trans woman who went missing. While running out of time, she discovers a hope for the future.

In “the words i do not have yet”, Phoebe Boswell pays homage to women who, “have used their bodies in protest when not permitted to use their voices.” In this layered work, both the written and spoken words of poet Audre Lorde and Kenyan writers Wambui Mwangi and Ndinda Kioko are superimposed atop original animated drawings of these contested bodies. The result is a choir of voices that are at once harmonious and discordant, exposing the complex intersection between individual and collective experiences of oppression.

An attempt to regain attachment following a period of heroin addiction, near-death experiences, and oxytocin deficiency. The camera shifts between moments of fragile devotion as it searches for a higher power in threads of shared suffering. Oliver, is heaven only for the high?

A submergence into the vivid realities of three Transgender sex workers living in Cape Town, South Africa during the COVID-19 pandemic.

How has television influenced the formation of our individual and collective identity? Are television melodramas actually the antithesis of sentimental education? The true mediatic moral is revealed here, in a countercultural zapping that simultaneously weaves and breaks the canons and clichés that prevail in our society, where it is still difficult to find a space for diversity.

A young Jordanian man (Karim) must find a way to tell his childhood friend and first love (Ramzi) the truth about what happened twenty years ago, when a single moment changed both their lives. When he can’t find the words, the conversation repeats, becoming increasingly surreal until he loses control.